| Show | Dial M for Murder (Hatcher) |
| Company | Hampton Theatre Company |
| Notes | Please Note: Hampton Theatre Company will be closed November 7–15. During this time, please feel free to email or call. All messages will be addressed beginning November 16, in the order they were received. Mandatory attendance at all tech rehearsals and performances. |
| Instructions | Sides will be provided in advance |
| Rehearsal Dates | January 4 - March 3, 2027 |
| Performance Dates | March 4 - 21, 2027 |
| Questions | Send Mail |
| Show Info | A calculating husband plots the perfect crime against his wealthy wife, setting in motion a deadly game of deception, betrayal, and unexpected twists. |
| Type | Location | Date | Time |
| Appointment | Quogue Community Hall 125 Jessup Avenue Quogue | Dec 05 | 1:30 PM - 4:00 PM |
| Appointment | Quogue Community Hall 125 Jessup Avenue Quogue | Dec 06 | 7:00 PM - 9:30 PM |
Roles
| Role | M/F | Age | Description | MARGOT WENDICE | F | 30-50 | British accent. Tony's wealthy wife and Maxine's lover. Caught in a dangerous web of deception, greed, and a murder plot she never saw coming, Margot must fight to clear her name. | TONY WENDICE | M | 30-50 | British accent. Margot's husband, a former writer now working in publishing and serving as Maxine's literary agent. Brilliant and calculating, Tony is driven by jealousy and financial greed as he engineers an intricate plot to murder his wife. | MAXINE HADLEY | F | 30-50 | An American novelist writing mystery thrillers who is on the verge of her big break. She is also Margot's secret romantic partner. (This role replaces Max Halliday from the original play and 1954 film.) | C.A. SWANN / LESGATE | M | 30-50 | British accent. Tony's criminal accomplice, a shady opportunist from Tony's past. Primarily concerned with his own bank account, he is drawn into the plot through blackmail or financial incentive to carry out the fatal deed. | CHIEF INSPECTOR HUBBARD | M | 40-60 | British accent. A smart, sharp-witted detective tasked with solving the murder and unraveling the layers of lies, traps, and alibis. |
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